Over 400 free VST plugins and VST instruments to use with FL Studio, Ableton Live, and Pro Tools. Includes Bass, Synths, Pianos, Strings. These are the best FREE VST plugins & Free VST Effect Plugins that you can download online. Similar to the DPiano-A, the City Piano is another lightweight, simple, and free piano VST plugin. However, the City Piano has a focus on the Baldwin baby grand piano sound. If your production requires that instrument specifically, then this would be a great pickup to get started with.
FL Studio is one of the most powerful music production tools around, with an array of synths and effects available right out of the box. But like most producers, you could probably use a few more plugins! Here we’ve put together some of the best free plugins for FL Studio, which should cover you for almost every imaginable musical scenario.
Sitala is a drum plugin that can also be used as a standalone app. Although it is about as simple a drum plugin as you could want, it will find a place in almost any project due to its musicality and highly intuitive interface. Sitala’s six knobs and sixteen pads encourage you to use it as an instrument, which results in more musical beats and grooves.
Sitala features 16 assignable pads that should be familiar to anyone who’s ever used a drum plugin before. You can drag and drop your own samples right into these pads or use the factory kits that come with the plugin.
Sitala also includes an array of sound-shaping tools that lets you put your own stamp on your drum sounds. With features such as ‘Shape’, ‘Compression’, and ‘Tone’, recreating traditional drum beats or more experimental grooves is a piece of cake.
Like the best free FL Studio plugins, the beauty of Sitala lies in its simplicity. We found that it lets you lay down grooves quickly, and the results are always musical. We especially like how the interface allows you to play it like an instrument.
Sound Magic’s Piano One is reminiscent of the Yamaha C7 concert grand, which is highly revered by many professional piano players. Based on Sound Magic’s Hybrid Modeling Engine, Piano One combines the best qualities of physical modeling and sampling. The result is an amazingly rich and responsive sound that often felt like playing a real piano.
Sound Magic’s Hybrid Modeling Engine does a great job of combining the realism of piano samples and the responsiveness of physical modeling. Unlike other modeled instruments, Piano One responds instantaneously, with no sluggishness or delay. The sound is reasonably rich and full-bodied, particularly when playing sustained low notes. The plugin even comes with an onboard reverb that simulates environment and soundboard resonance for added realism.
Even with its limitations, Piano One is a pretty impressive piano plugin. If you need a range of basic piano sounds but don’t have the cash for a humongous piano library, Piano One is worth looking into.
TyrellN6 is based on the legendary Roland Juno 60, which is one of the most iconic analog synthesizers ever made. Users of the venerable classic will appreciate the simplicity and ease of use of this plugin, which lets you create deep bass, lush pads, and cutting leads with relatively little effort.
Zebralette isn’t based on any particular instrument. Rather, it is a teaser of sorts for u-He’s well-respected Zebra 2. It has the same great-sounding oscillator that is in Zebra, giving you a taste of what you could achieve with the more fully-featured product.
TyrellN6 and Zebralette give you a pretty diverse range of sounds, from classic to cutting edge. /fl-studio-8-free-download-full/. TyrellN6’s classic architecture is the ticket to thick and lush vintage sounds, with noise and a ring modulator joining the two oscillators for extra flavor.
Zebralette is a more esoteric plugin that allows for the creation of more outlandish and experimental sounds. This is a great entry point into the sonic possibilities offered by Zebra 2, and we were thrilled to find that Zebralette patches can be opened in Zebra 2.
TyrellN6 and Zebralette are compact yet powerful synths that will find a place in any modern production. Even if you already have some powerhouse synths in your collection, these two free VSTs for FL Studio are worthy additions.
Guitar M Lite II offers studio musicians the crisp and authoritative sounds of the Martin D-41 acoustic guitar in a convenient software plugin. Developed by Ample Guitar, M Lite is a great way to add glistening acoustic textures to your productions, even if you don’t happen to have a guitar player handy.
M Lite is a sample-based instrument that weighs in at just under 850 MB. It includes standard guitar articulations such as hammer-ons and pull-offs, palm mutes, and pops, allowing you to create surprisingly realistic performances. The plugin also offers Customized Parameters Control (CPC), which lets you add more expressive touches via MIDI CC or automation.
We especially like the plugin’s Strummer function, which allows for some pretty convincing strummed performances. Strumming is where most acoustic guitar plugins fall short as far as we’re concerned, so were pleasantly surprised to find it implemented so convincingly in a free plugin.
Those with discerning ears aren’t likely to be fooled by M Lite. But if you need some rudimentary acoustic guitar parts for a mockup, this plugin will do very well in a pinch.
Spitfire Audio’s LABS has created quite a stir in the software plugins world, so we were eager to put it through its paces. At present, the collection already covers a pretty broad range of instruments, and more are being added all the time. And because each instrument is a labor of love by dedicated musicians and sampling experts, the results are consistently impressive.
Each LABS instrument comes in the form of a dedicated plugin, rather than a library you load in a software sampler. We found the user interface to be focused and refreshingly straightforward, with easy to use controls for dynamics and expression. We also like the inclusion of a knob that can be customized for whatever function the user wants.
The LABS collection currently includes strings, guitars, pianos, brass, drums, vocals, percussion, synths, and experimental instruments. Although not quite as detailed as more extensive sampled libraries, we had no trouble making them fit into our productions.
The LABS instruments are about as straightforward as plugin instruments can be. Even if you already have a collection of software instruments, you will probably find a use for some of these plugins.
iZotope has long been known for its excellent noise reduction and sound improvement plugins. So it was a bit of a surprise when the company rolled out a plugin that adds grit and dirt to audio. With Vinyl, you can dirty up your tracks with a healthy helping of dust, scratches, and mechanical noise, instantly giving them the character of a vintage recording.
As the name implies, Vinyl makes tracks sound like they are being played from a turntable. Ideally suited for every stage of the production process, we found this to be the most convenient solution to get the authentic vibe heard on ’60s and ’70s recordings.
We like how you can control how much ‘pixie dust’ you can add to your tracks. Whether you need just a few cracks and pops, a touch of mechanical noise, or you really want to thrash your audio, Vinyl provides independent control over each element.
Vinyl works on pretty much everything from drums and strings to full mixes. If your tracks are sounding just a bit too clean, this plugin will let you dirty them up in a few clicks.
iZotope’s Ozone Imager 2 offers a quick and easy way to alter the stereo image of your tracks. Whether you need to widen a pad or string section or narrow down your bass and kick drums to fit into a mix, Ozone Imager lets you do so quickly and easily.
The most obvious application of Ozone Imager is to widen an audio track. If you need your synth pad or string section to fill up the soundstage, Ozone Imager will get the job done without imparting any sonic anomalies that could make mixing a nightmare.
Ozone Imager provides two flavors of Stereoize: one lets you widen source audio with a cool phasing effect, while the other widens signals more subtly. The plugin also has three vectorscope meters that give you instant visual feedback on your stereo spread.
Ozone Imager is a fairly simple plugin that is useful for mixing as well as creative experimentation. If you are struggling to make certain elements fit into a mix, this is one you can try out, of check out or list of other mixing plugins.
MAutoPitch is a pitch correction plugin developed specifically for vocals and monophonic instruments. Simple and straightforward, it is nevertheless capable of producing great-sounding results that compare favorably to more expensive pitch correction plugins. It even has formant shift and stereo-expansion features that expand its capabilities as a creative audio production tool.
Compared to many FL Studio plugins for free, MAutoPitch has quite an impressive user interface. It can be resized freely and has standard meters as well as time graphs. It also has sophisticated multi-parameter features such as mid-side and 8-channel surround processing. We particularly like the onboard safety limiter and the automatic gain compensation (AGC) features that keep levels in check.
All MAutoPitch parameters can be mapped for MIDI control and automation. This enhances the plugin’s value as a creative tool, making it more than just a “set-and-forget” processor.
From subtle pitch correction to creative sound design, MAutoPitch does it all. If you do a lot of vocal work, this plugin is an essential addition to your toolbox.
Supermassive is only one of a handful of time-based plugins that form the bedrock of Valhalla DSP’s stellar reputation. The company’s delays and reverbs compare favorably to much more expensive plugins, and their features and capabilities are well known to producers across the globe. With Supermassive, the company once again proves its expertise in developing lush and exquisite sounding plugins, with a few more tricks up its sleeve.
Supermassive is designed specifically to produce spacious and expansive delays and reverbs. Ideally suited for adding atmosphere to dry and lackluster productions, it sounds just as good when dialed down for more subtle ambiance.
Like all Valhalla DSP plugins, Supermassive is freely resizable, with precise controls for every parameter. It is based on a system of feedback delay networks, with each delay ultimately being processed by a unique WARP control. This allows you to produce everything from twinkling echoes to rich and deep reverbs and everything in between.
Supermassive is easily a great VST for lush ambiance, even able to compete with our list of top VSTs on the market. Even if you already have a couple of favorite reverbs and delays, you will likely find yourself patching in Supermassive every time you need a unique atmosphere in your productions.
Cableguys’ Pancake 2 handles a variety of panning and imaging functions in a slick and easy to use interface. Like all Cableguys plugins, Pancake 2 offers full control over the most useful parameters, giving you total control over your sound. You also have plenty of options to modulate the source audio as you wish, so you have free rein over your creative vision.
PanCake allows you to set and forget the modulation depth and rate if you wish, although you could also draw in your own modulation curves. This feature is perfect for panning audio in time with the tempo or ramping up the speed for a buildup.
Of course, the plugin’s LFO can be set to sync to your host DAW’s tempo as well. Speeds from ¹⁄₁₂₈ notes to 32 bars are possible, giving you a wide range of movement options. The plugin also has a left/right display so you always know what is going on with your soundstage.
Like the other top FL Studio plugins out there, Pancake 2 can be as simple or as complex as you wish. Whether you need subtle movement in your tracks or you are looking for more intense panning functions, Pancake 2 is one of the best free plugins for FL Studio.
Although we have all the tools we need to produce extremely clean and precise music without any unwanted artefacts there’s something about the imperfections of analog recording equipment that triggers certain emotions in us.
So if you want to produce lofi music it’s important to pick the right sounds and samples from the start. You could, for example, sample old vinyl records or buy an old drum machine. It would however be easier to just get your hands on a decent LoFi House or Hip Hop sample pack.
Once you have a selection of cool sounds & samples you can further refine your music to sound like it was recorded a few decades ago. Luckily there are plenty of cool lofi plugins available so you don’t have to actually own an old tape machine. Here are some of the best options:
I want to start this list with a bunch of free lofi VSTs, because I know that a lot of producers are one a budget, especially when they’re still going to school (or music is their only income lol). That said, you don’t always have to spend money to get some quality software. The freeware in this list can easily compete with some of the paid stuff I’ll mention later on.
The “LoFi Rack” is a free Ableton Rack based on Live’s stock plugins. It comes with 8 macros allowing you to decrease the band width, add vinyl crackles, detune and distort the source sound. Unfortunately it’s only available for Ableton Live users, so if you’re using another DAW you have to pick some of the other options in this list. If you’re using Ableton however, hop on my newsletter and I’ll send you a free download link.
As the name suggests, iZotope’s “Vinyl” is a plugin emulating the characteristic imperfections of vinyl records. Since the freeware only comes with a handful of parameters it’s easy to use and setting it up won’t take much time. What I love the most is that you can adjust the year of your “recording”. A must have for every lofi producer if you ask me.
Labs is a free software instrument made by the London based sound design company Spitfire Audio. There are several extensions available, including pianos, brass, choirs and synths. Most of these instruments are rather unique and therefore a nice addition to the basic instruments libraries you probably already own. The cool part about Labs is that it comes with only a handful of parameters so you won’t spend 10 years trying to get everything perfect. The sound either fits your production or not.
Tritik’s Krush is an effect plugin with 3 different distortion types. A bitcrusher , a downsampler and an analog drive knob. It further comes with 2 filters and an LFO that can be used to modulate every parameter. It’s available for both Windows and Mac in VST, AU and AAX format so really everyone can get their hands on this.
This one is a free bit quantizer, waveshaper & filter plugin made by Tadashi Suginomori from HY-Plugins. It’s meant to process “audio to give it a low fidelity sound”. Just like Krush it combines different distortion modes with high and low-pass filters. More precisely it has one drive knob and a quantizer, which can run in different modes and qualities.
Legowelt is a dutch producer known for releasing samples from analog hardware units, but you’ll also find some Ableton Racks on his website, including the Smackos Tape Station, the Smackos Lemuria Vintage Sampler Simulator, the Smackos 808 Simulator and the Smackos Amiga 909.
The Retro Boy is a Windows only VST synth. It comes with one oscillator, 7 waveforms and controls for ADSR, vibrato and decimation, which makes it perfect for Chiptune or 8-bit music. Since there isn’t much processing going on, the synth is quite CPU-friendly.
Although you can definitely do some cool stuff with the freeware I mentioned so far there are some paid options no lofi producer should miss out on. A lot of them do more or less the same thing so in the end it’s up to personal preference (and budget), which ones you should get. Luckily most of these plugins aren’t that expensive compared to some of the stuff by other brands.
Probably the most hyped plugin of this list is the R-c20 Retro Color by XLN Audio. It combines 6 different effect units, including noise, wobble, distort, digital, space and magnetic. Combining these options basically allows you to recreate any lofi characteristic you could possibly think of. If I could only pick one plugin of this list I’d probably go for this one, since it comes with the most features.
Considering that Baby Audio is a rather new plugin company, their products already gained quite much attention. Super VHS again combines multiple effects, including a distortion unit, a retro sounding VST reverb and detune knob labeled “drift”. All knobs sound surprisingly good and I really dig the design.
Decimort 2 is a bitcrusher on steroids. It offers two optional anti-alias filters, adjustable jitter, two quantization methods and controllable dithering. If you’re looking for a cool bitcrusher, this is definitely the one you should get your hands on. With less than 50 bucks it’s also pretty affordable.
The Vinyl Strip is just like RC-20 a multi-effect plugin consisting of 6 different modules: Distortion, Compressor, Bit Crusher, Tilt EQ, Vintage Reverb, and something they call Vinylizer. In contrast to most plugins mentioned in this list, you can change the signal flow simply via drag-n-drop. On their website is stated that you can activate your license without an internet connection, which is pretty cool if you still live in a cave 😉
Texture is a plugin I just recently found out about watching Virtual Riot’s production workshop he did for Cymatics. It allows you to add noise to any kind of source sound. The cool part is that unlike similar effects you can even load your own noise samples and can adjust the exact frequency range, amount, ADSR and stuff like that.
When it comes to beat making, there’s one plugin every FL Studio user slaps on their melodies: Gross Beat (you’ll find plenty of memes about this). The problem is that it can’t be used in other DAWs (at least on Mac). This is where the Cableguys come into play. Their ShaperBox combines different effects that can all be modulated. The Time one is especially interesting for lofi producers, because it allows you to play back your melodies in halftime, add cool pitching effects and mix everything in with the dry signal.
Analog Pro is once again a plugin meant to bring your digital audio tracks to live by simulating analog hardware. It comes with a variety of adjustable controls, including Noise Level, Noise Type, Impulse Type, Impulse Mix, Emphasis, Stereo, Lowcut, Highcut, Wow, Flutter and Amount. While I’m writing this the plugin is on sale for €26.10 (which is 64% off) so feel free to check out if this offer is still available.
SketchCassette is a VST inspired by 4-track cassette recorders. It comes with most features the other plugins in this list have. Since it’s however available for only $20 it’s particularly interesting for producers on a tight budget.
Wow Control focuses on the weird and random modulations of analog playback devices. According to their website Goodhertz has carefully studied the essence of three different tape machines to make sure their plugin is the most comprehensive tape model they ever heard. I haven’t tried it out to be honest, but there are some videos about it on YouTube so feel free to check them out if you’d like to learn more about it.
The PSP Vintage Warmer is a tool simulating the saturation of analog compression / limiting. It comes with classic compression controls, such as knee or release time, and since it can run in multiband mode you can further control the individual bands a bit. In contrast to most usual compressors it comes with a big drive knob. Since it also comes with a mix knob you can drive the compression / saturation quite hard and mix it in just a bit to make your drums or vocals or whatever a bit fatter.
According to Wavesfactory’s website “Cassette is an audio plugin that imparts the unique character and sonic imprint of an often maligned recording medium”. You can also get your hands on their free Cassette Transport plugin, which “simulates the sound of tape speeding up and slowing down”. Or with other words: it’s a pretty cool tape stop plugin.
Echomelt is “designed for adding character, texture and warmth to your sounds”. It doesn’t look that stunning, but it comes with an echo and chorus unit, which sets it apart from the other options in this list.
The Aphex Vintage Aural Exciter by Waves is modeled on a tube-powered hardware unit. It allows you to increase high frequencies without raising the level too much.
As you can see, there are plenty of lofi plugins available that make your productions sound like they were recorded with a toaster (or something like that). The free offers, especially Vinyl and Labs are no brainers, since . well, they’re free, so make sure to download them straight away if you haven’t done so yet 😉